A MODERN TRAGEDY

Back hiking again. 99° today hiking in the desert. #notdeadyet...

Mon, 20 May 2013 00:41:27 +0200

Back hiking again. 99° today hiking in the desert. #notdeadyet #hiking #losanglesnationalforest (at Devil’s Punchbowl)

Back hiking again. 99° today hiking in the desert. #notdeadyet...

Mon, 20 May 2013 00:40:26 +0200

Back hiking again. 99° today hiking in the desert. #notdeadyet #hiking #losanglesnationalforest (at Devil’s Punchbowl)

Better graduation. (at Surf Beach)

Sat, 18 May 2013 05:38:05 +0200

Better graduation. (at Surf Beach)

Hiroshi Sugimoto, Seascapes, 1980-93 (via fieldmouse) Caribbean...

Sat, 18 May 2013 01:32:33 +0200

Hiroshi Sugimoto, Seascapes, 1980-93 (via fieldmouse)

Caribbean Sea, Jamaica

Sea of Japan, Hokkaido

Tasman Sea, Ngarupupu

Black Sea, Ozuluce

Red Sea, Safaga

Tyrrhenain Sea, Scilla

_

nevver: There Will Be Blood

Fri, 17 May 2013 20:42:32 +0200

nevver:

There Will Be Blood

This was a great event! So many amazing memories from this...

Fri, 17 May 2013 16:20:15 +0200

This was a great event! So many amazing memories from this championship.

agi-open-london: Muriel Cooper — MIT Press logo, MITP (1963)

Fri, 17 May 2013 16:17:23 +0200

agi-open-london:

Muriel Cooper — MIT Press logo, MITP (1963)

...

Fri, 17 May 2013 05:39:23 +0200

Just finished my end of residency!!!!
after two years, I shaved.
I know have my MFA.

noise2010: Paris, May 1968 Slogans and graffiti in the...

Wed, 15 May 2013 17:59:09 +0200

Jean-Luc Godard

noise2010:

Paris, May 1968

Slogans and graffiti in the streets:

The more you consume, the less you live. Commodities are the opium of the people.

Abolish copyrights: sound structures belong to everyone.

L’ennui est contre-révolutionnaire. (Boredom is counter-revolutionary.)

L’imagination prend le pouvoir! (Imagination takes power!)

Soyez réalistes, demandez l’impossible. (Be realistic, ask the impossible.)^[11]

Prenez vos désirs pour la réalité. (Take your desires for reality.)

On achète ton bonheur. Vole-le. (They are buying your happiness. Steal it.)

Le patron a besoin de toi, tu n’as pas besoin de lui. (The boss needs you, you don’t need him.)

L’été sera chaud! (Summer will be hot!)

On ne revendiquera rien, on ne demandera rien. On prendra, on occupera. (We will beg for nothing. We will ask for nothing. We will take, we will occupy.)

In a society that has abolished every kind of adventure the only adventure that remains is to abolish the society.

Sous les pavés, la plage. (Under the paving stones, the beach.)

Vivre sans temps mort et jouir sans entrave. (Live without wasted time and enjoy without hindrance.)

Warning: ambitious careerists may now be disguised as “progressives.”

I love you!!! Oh, say it with paving stones!!!^[12]

Under 21? [Picture of a brick] Here is your ballot!

“Humanity won’t be happy till the last capitalist is hung with the guts of the last bureaucrat.”

Photo

Wed, 15 May 2013 17:56:15 +0200

jamestedmondson: Shocard Gothic, scanned from a 20th edition...

Tue, 14 May 2013 04:23:53 +0200

jamestedmondson:

Shocard Gothic, scanned from a 20th edition Speedball Textbook. Early inspiration for Mission Gothic.

Photo

Tue, 14 May 2013 02:43:50 +0200

I have been getting a lot of emails about this typeface...

Tue, 14 May 2013 02:38:00 +0200

I have been getting a lot of emails about this typeface today… kinda weird.

I designed this typeface based on the orginal lettering from the Band á part film from 1964, Directed by Jean–Luc Godard. I simply completed the other letter forms. I am currently working on a regular and light weight to the typeface, I will also add an Italics and alternative characters as well. Just need some time to sit down and crank it out.

Typeface: Bande á part
designed by: INDEX/INDEX

wmud: jop van epen - housing for algemene woningbouw...

Mon, 13 May 2013 23:59:20 +0200

wmud:

jop van epen - housing for algemene woningbouw vereniging, saffierstraat, amsterdam, 1924

sarahhoneth: Jessica Rath artist poster. Collaboration with...

Mon, 13 May 2013 21:49:32 +0200

sarahhoneth:

Jessica Rath artist poster. Collaboration with Jacob Halpburn.

My friend does good work.

julienpriezdrawing: BIG A, calligraphy, sketch, Julien Priez

Mon, 13 May 2013 02:26:05 +0200

julienpriezdrawing:

BIG A, calligraphy, sketch, Julien Priez

...

Sun, 12 May 2013 20:29:00 +0200

When I googled my name it shows up that I died in 1959, and I am buried in Queens, New York… weird.

peowpress: 3 Colors. bright red X yellow x sea blue. 90...

Sat, 11 May 2013 02:14:40 +0200

peowpress:

3 Colors. bright red X yellow x sea blue. 90 lpi.

Product Catalogue of Sold Out Items
Handicraft by Anders Bollman // g.d. by Bedow

Print at peow studios. DUH! :D

christopherschreck: Jack Goldstein, “Suite of Nine Seven-Inch...

Fri, 10 May 2013 22:20:34 +0200

christopherschreck:

Jack Goldstein, “Suite of Nine Seven-Inch Records,” 1976

“In 1976, artist Jack Goldstein began producing a series of audio works on vinyl records, the first of which was a suite of nine 45 rpm 7-inch records with sound effects. The 45s were paired with titles suggestive of their audio content and pressed in colored vinyl visually related to the sounds and their titles.” - Specific Object

Click on the links below to hear samples of each record:

A German Shepard, on red vinyl
A Swim Against the Tide, on blue vinyl
A Faster Run, on orange vinyl
The Tornado, on purple vinyl
Two Wrestling Cats, on yellow vinyl
Three Felled Trees, on green vinyl
The Lost Ocean Liner, on black vinyl
The Burning Forest, on marbled red and white vinyl
The Dying Wind, on clear vinyl

“The sounds in Jack’s records were images he had wanted to make into films. The physical presence and color of each record was important. A sound recording of a tornado was rendered in purple vinyl, for example, since he observed that purple was the color of tornadoes when photographed. [Matt] Mullican remembers a visit he and Jack made to a Jannis Kounellis show at Sonnabend Gallery in 1974. The white cube had been painted bright yellow, and a real black horse stood against the wall. Jack was struck by Kounellis’s objectification of the horse, which echoed his own concern with controlling animals and natural forces in pared-down, objectified images, as he did in films such as Shane, 1976, in which a German shepherd, set against an uninflected black background, barked repeatedly on command.”
- from “Vanishing Act: Chrissie Iles on Jack Goldstein, ArtForum, May 2003

designeverywhere: Aim Vinyl Record Label

Fri, 10 May 2013 20:06:45 +0200

designeverywhere:

Aim Vinyl Record Label